Earlier this year I was commissioned to craft a new flute from Old Growth Port Orford Cedar.  The client requested a flute tuned to the Key of A @ 440 Hz and she wanted it to be “Concert Tuned”.   I was excited to build this new flute as Port Orford Cedar is one of my very favorite species to work with.

So I found the stock I was going to craft this flute from and from the very beginning it just all seem to come together.  One new addition to this flute was the addition of an inlaid Sapodilla Cutting Edge and two totem rails crafted from the same piece of Sapodilla as the inlaid edge.  By spending the extra time on an inlaid edge and using a wood species quite a bit harder than the POC this would insure a cleaner sound and more resistant to future potential damage – not to mention is looks really  cool.

Because this flute was being crafted with a 7/8″ Bore and we were shooting for an “A” I knew this flute would tend to be a bit shorter than many that I make.  I designed this flute to have  a longer Slow Air Chamber and a stop block of around 1 1/4″ along with a 2 3/4″ blowhole to help with the overall aesthetics.   One other addition was to tune the fundamental note using the 4 Winds tuning holes which also give additional length to the overall flute.

Because I handcraft and hand shape all of my flutes I have to be careful when it comes to adding Totem Rails which you can see in the image above.  At this point you can see the Cutting Edge inlay is complete, the playing holes and 4 Winds tuning  holes have been laid out.  The Totem Rails have been added and glued to the body of the flute and at this point it was time to start the shaping of this flute.

After a few weeks of prep work, gluing, clamping, shaping and sanding I had come up with what for me was a new design in that this flute feature a tapered rail that when the fetish or totem was added the back of the fetish would meet the end of the taper.  This approach created a bit different shape towards the mouthpiece, meaning not so round,  but more of an edgy look and overall I really like it.

Tuning this flute was also a challenge as I live in the Rocky Mountains at an elevation of over 6400 feet.  Our humidity is higher than Arizona which is where this flute would call home.  Finally temperature is another real issue when tuning.  So I decided to tune the flute to the flat side of the note with the expectation that when the flute finds its way home to Arizona the lower humidity, lower elevation and higher temperatures the note would play closer to fundamental note of A.  We will see… some tweaking down the road may be required.

The final job to complete was to come up with a totem that met the desire of the client by yet allowed me to keep my whimsical tendencies that seems to run a common thread in other totems I have designed.  This flute was to have some sort of horse head totem and so this was what I ended up with.  The new owner likes to affectionately call it the Crazy Horse totem.  Seems fitting…