Just finished is this simple yet elegant six hole Port Orford Cedar flute. Hand crafted by flute artist Timothy Jennings and fully crafted and voiced here in Wyoming. True Old Growth Port Orford Cedar continues to be rare and hard to find.
This is a 1″ inch bore flute with a longer Slow Air Chamber and block that gives this flute an overall longer aesthetic. Both Totem Rails and the Totem (fetish) are crafted from river reclaimed Sapodilla.
Unique to this flute is the hand cut Elk Antler cabochon that was crafted from Wyoming harvested elk and is bezel set in Sterling Silver and inlaid into the body of the flute. Over all a very nice flute.
Click Here for more information and price point for this newly completed flute. Ships with it’s own protective bag.
Another flute on its way to it’s new home in Montana. This Alaskan Yellow Cedar flute is another Acrylic Red and features maple totem rails and maple Mustang fetish. Like it’s twin it was tuned to G @432 Hz. A very nice looking and playing flute.
I personally am excited that it’s new owner Nakoa Heavyrunner from Poplar Montana. Nakoa is one of the best flute player I personally know. He is well known in Indian Country as an accomplished Pow Wow singer and he and his brother Donavan appear on RezKast Radio. Check them out early mornings.
I am hoping Nakoa will be kind enough to pass some recordings our way so we can share with the world his amazing flute playing talents. Enjoy Nakoa Heavyrunner…
Currently I have been working on Two 1 inch bore flutes crafted from Old Growth Port Orford Cedar. This particular flute is just about done other than final finish choices and some tweaking on the tuning. Which on this flute is tuned to “D” @ 432 Hz.
I really cannot get enough Port Orford Cedar as it is one of my favorite woods to craft flutes from. This one has a very pleasing deeper voice giving it a soothing melody. The totem rails are crafted from river reclaimed Sapodilla as it the Totem or Fetish itself. Once again this flute will feature my signature whimsical mustang. This time I am crafting it out of the same Sapodilla the totem rails are made from. This should be a stunning yet eloquent flute.
Currently I have this flute finished with a Satin/Semi-Gloss finish but more than likely it will end up with a high gloss finish. Although this is a fairly large flute the finger holes are positioned with comfort in mind. This flute like all of our flutes will ship with a protective bag as this recent completed flute did.
The price point has not been set and there is still time to add adornments such as hanging horse hair, feathers or even an inlaid cabochon. Port Orford Cedar is almost impossible to get anymore… this is a very nice wind instrument just about ready for a home.
If you are interested reach out to me via email @ Sales@JacksonHoleTim.com or call or text (307) 690-0427.
Earlier this year I started on a new journey of flute making. For so many years I have focused on the aesthetics of the natural wood and how it finishes as God’s eye intended. To this day most of the flutes I craft are in this vein.
Last September I decided built a flute for the 2018 Western Design Conference held each year in Jackson Hole Wyoming that was different than I had done in past shows. This flute was the first flute I painted a color and in this case I chose high gloss black. I loved it so much I decided to build another one just like it only with a 7/8″ bore flute while this one featured a 1″ bore.
Black Flute Sound Sample
Flutes like the one shown here have a lot of man hours in them and thus typically a much higher price point. This flute found a home in Nashville Tennessee early this summer. I have since built several others one in Red and another in Gun Metal Blue. But the flute I am working on now shown at the top of this post is for a customer in Texas who was a Texas Longhorn fan. However the color this time for me was inspired by a 1972 Orange and White Chevy pickup truck.
Big Red Sound Sample
This new orange flute features the same design as the others in that the totem rails are crafted from Maple and the whimsical mustang fetish is crafted of either Maple or Port Orford Cedar. The flute itself is made from Old Growth Alaskan Yellow Cedar which produces a very nice sounding flute. Listen to the samples of the others provided and here how nice these flutes sound. The 7/8″ bore makes this a very nice sized flute in your hands.
My goal with these new flutes is to make available a very nice flute at a price point that is affordable and yet a bit different. Of coarse we can bling them up but I think this new line of flutes offers something most artists seek and that is “Simple Elegance”
From time to time I come across a flute project I did for someone else and as I look back on it I get excited about how the flute came out. One of my favorite woods to work with is Port Orford Cedar which is not easy to get anymore. But I do have some stashed away for special occasions.
This flute was made for a client in the Cave Creek Arizona area and I really liked how it turned out. The customer wanted to have a flute that voiced an “A” @ 440Hz. As most of you know I live in the Yellowstone Basin here in Wyoming so our altitude and weather patterns are quite a bit different than the desert region of Arizona. Building a flute in Wyoming and shipping to Arizona and hitting the mark for tuning is always a challenge. All in all I think I was able to get pretty close.
What I like about this flute is the simple elegance it embraced and the mix of the Sapodilla Totem Rails, Cutting Edge inlay and the Maple Mustang fetish it was a really eye appealing flute when finished. Easy to play and sounded wonderful. We recorded the sound clip here in Wyoming after it was finished so check out the voice of this flute in the clip below.
Commissioned projects are always fun yet stressful to do. This flute project was one I really enjoyed. I would love to work on another project like this one again for a new customer. Maybe that customer is you? Let me know what you think of this flute in the comments below. If you would like to explore a flute for you similar reach out to me.
Newly completed flute in the Key of G tuned @ 432 Hz. This flute is hand crafted from Old Growth, First Generation cut Alaskan Yellow Cedar. The bore on this flute is 7/8″ in diameter giving this flute a very nice mid tone voice.
This flute is finished both inside and out with the same color red so that no areas show the natural Alaskan Cedar coloring. Also featured on this flute are hand cut Maple Totem Rails that helps keep the Mustang fetish focused on the cutting edge as well as giving it a signature look that only a hand shaped flute offers.
The Totem or Fetish selected for this flute is my whimsical interpretation of the wild Mustang. This fetish is completely hand carved and shaped from a solid piece of old growth maple. This fetish does feature a chimney design so placement is fairly easy to accomplish.
Overall length is 23 1/4″ long and the playing holes are are spaced at 1 1/8″ apart for the bottom 3 playing holes and the upper three are set 1 1/16″ apart on center. There is a 1 1/4″ space between the #3 and #4 holes.
Finally this flute is finished with a high gloss lacquer with more than 25 hand rubbed coats applied. The leather is our hand cut Wyoming Black Bison. This flute ships with a protective bag. For pricing CLICK HERE for the full page description.
Earlier this year I was commissioned to craft a new flute from Old Growth Port Orford Cedar. The client requested a flute tuned to the Key of A @ 440 Hz and she wanted it to be “Concert Tuned”. I was excited to build this new flute as Port Orford Cedar is one of my very favorite species to work with.
So I found the stock I was going to craft this flute from and from the very beginning it just all seem to come together. One new addition to this flute was the addition of an inlaid Sapodilla Cutting Edge and two totem rails crafted from the same piece of Sapodilla as the inlaid edge. By spending the extra time on an inlaid edge and using a wood species quite a bit harder than the POC this would insure a cleaner sound and more resistant to future potential damage – not to mention is looks really cool.
Because this flute was being crafted with a 7/8″ Bore and we were shooting for an “A” I knew this flute would tend to be a bit shorter than many that I make. I designed this flute to have a longer Slow Air Chamber and a stop block of around 1 1/4″ along with a 2 3/4″ blowhole to help with the overall aesthetics. One other addition was to tune the fundamental note using the 4 Winds tuning holes which also give additional length to the overall flute.
Because I handcraft and hand shape all of my flutes I have to be careful when it comes to adding Totem Rails which you can see in the image above. At this point you can see the Cutting Edge inlay is complete, the playing holes and 4 Winds tuning holes have been laid out. The Totem Rails have been added and glued to the body of the flute and at this point it was time to start the shaping of this flute.
After a few weeks of prep work, gluing, clamping, shaping and sanding I had come up with what for me was a new design in that this flute feature a tapered rail that when the fetish or totem was added the back of the fetish would meet the end of the taper. This approach created a bit different shape towards the mouthpiece, meaning not so round, but more of an edgy look and overall I really like it.
Tuning this flute was also a challenge as I live in the Rocky Mountains at an elevation of over 6400 feet. Our humidity is higher than Arizona which is where this flute would call home. Finally temperature is another real issue when tuning. So I decided to tune the flute to the flat side of the note with the expectation that when the flute finds its way home to Arizona the lower humidity, lower elevation and higher temperatures the note would play closer to fundamental note of A. We will see… some tweaking down the road may be required.
The final job to complete was to come up with a totem that met the desire of the client by yet allowed me to keep my whimsical tendencies that seems to run a common thread in other totems I have designed. This flute was to have some sort of horse head totem and so this was what I ended up with. The new owner likes to affectionately call it the Crazy Horse totem. Seems fitting…
Just a brief post here… The first 5 of 25 new pre-bored flute blanks have been added to our “Pre-Bored Native American Styled Flute Blank” page. All five of these are 24″ in length, 7/8″ Bore with a 3 1/2″ Slow Air Chamber (SAC). The stop block is set to 1 1/4″ in width. Blanks pictured here are 3 Alaskan Yellow Cedar and 2 Russian Olive blanks. Also available on our eBay Store. More to come daily…
I have been commissioned to build a new flute from the above pre-glued Black Willow flute blank. Although this blank is currently sitting at a C# @ 440Hz we will be changing this and tuning this flute to the requested 444Hz range. Not sure of the key but I should know pretty quick.
I am building this flute for one of my favorite customers, Mary. She always likes to challenge me with something new and different. This will be the first flute I tune at the “new” 444Hz as she tells me. I am excited to see how this flute turns out. More to follow…
Every Once and a while a project comes along that really finds a place in your soul. This is one of those times. On Monday I will be shipping this project to its new owner in Canada. A First Nations man will carry this flute with him on an upcoming journey that will take him across Canada over a two-year period.
The idea for this flute came about after recently delivering a Native Styled pipe to the Western Ojibwe in Canada for which I was commissioned to craft. In a way this flute is a continuation of this pipe. The pipe which will be carried across Canada for the upcoming Tree of Peace Unity Walk will now have this flute as it’s companion. I have named this flute the “Spirit of the Pipe”.
I shared a vision with my Elders, Clan Mothers, and Grandfathers. At the Council Fire they contemplated my vision, and in turn, they received a vision of a Sacred Eagle Pipe that was to be gifted to me. Through ceremony and reflection, Spirit guided us to Timothy. The Elders, Clan Mothers, and Grandfathers saw in his previous work, that it was evident that Timothy has a connection with the spirit of the materials he uses. This was very important to us as this Sacred Eagle Pipe will lead a Tree of Peace Unity Walk and the planting of 44 Peace Trees across Canada. This Unity Walk is the vision I received that will bring together First Nations Peoples and all Canadians for world peace and the healing of Mother Earth. When I received the pipe in a ceremony, I felt the energy of Timothy’s connection with the spirit in the wood and stone, in the making of this sacred pipe. Timothy is a master craftsman and artist who’s hands are blessed by the Great Spirit. In gratitude from myself and the Elders, Clan Mothers, and Grandfathers of the Cherokee, Iroquois, Ojibwe, and Cree of the Council Fire of this vision, we honor Timothy and his creation of the sacred pipe.
Walk Sacred, Talk Sacred,
Jesse-Blue Forrest – Sequoyah-Blue Deer Eagle
I wanted to incorporate the spirit from the sacred pipe by attaching a mouth piece to the flute that was crafted from the very same stone the pipe was made from. In addition my plans were to craft a cabochon from the same stone to inlay into this flute. In my mind’s eye this addition of the stone to the flute would help carry the spirit of this pipe over to the flute. I had hopes that this flute would share in the very same journey as the pipe.
As one draws in the smoke from the pipe in ceremony this same breath would give life through their playing of the flute. If this were to happen this would accomplish my vision for this piece.
This six hole flute features a 1″ inch bore crafted from Old Growth Alaskan Yellow Cedar. It is tuned to the Key of D#. It features the Four Winds tuning holes and by most standard this is a large flute. Although I think it is the perfect size as its new owner like me is a large man and should have no trouble playing it.
The theme for the pipe was that of the Eagle and so too we carried the same theme through to the flute by adding a fetish that represents a whimsical vision of the Eagle in flight. The fetish sits between two rails crafted from a special wood called Sapodilla. This reclaimed wood has much the same color tones as the pipestone.
One of the interesting twists in all of this is that the Tree of Peace Unity Walk will start it’s journey on a sacred mountain on Vancouver
Island. The very same place the Alaskan Yellow Cedar used in this flute was harvested from several years ago.
It is always an honor when I have the opportunity to be commissioned for a project. I am always humbled that there are those who find my style of art pleasing. But it is especially humbling when I am given the opportunity to create something as special as these two projects for the First Nations People of Canada and know that they will be used in Ceremony and not used as a cliché…